Showing posts with label Tom Blake. Show all posts
Showing posts with label Tom Blake. Show all posts

Tuesday, April 1, 2025

1930s Begin

 

Welcome to surfing in the 1930s.

This chapter in the LEGENDARY SURFERS Collection was offline for a couple of years, but is now back. It constitutes the first chapter of my book  simply entitled “The 1930s” – it is still in print and available for around $30 at: https://www.amazon.com/Legendary-Surfers-1930s-Malcolm-Gault-Williams/dp

   


Corona Del Mar, mid-1920s.

Phographer unknown. Photo courtesy Of SHACC.



Media

Early Corona del Mar surf history:

https://www.facebook.com/share/r/17BR2JM8XJ/




Introduction

The beginning of the 1930s came directly upon the heels of “Black Friday,October 28, 1929, when the New York Stock Exchange collapsed and a world-wide economic crisis ensued. The years following – including most of the 1930s – became known as “The Depression” and all families who lived through it remember it vividly. For many, it resulted in death. For most, The Depression meant hardships of many kinds. Surfers, however, were not affected by the financial hard times as much as most all other people.

“Well, as far as surf was concerned,” pioneer California surfer, photographer and dentist Doc Ball pointed out to me, most surfers weren’t affected because swell responded to the natural flow of the planet, not the financial. “Of course, we had a little trouble getting gasoline, but then it was 7-cents a gallon in those days… that’s the way it was. It [the Depression] kept us kinda limited in certain ways, but we had surfin’ to take care of everything. Long as there’s waves, why, you didn’t have to pay for those. All we had to do was buy the gas to get there.”

By this time, there were over a hundred surfers in Hawai’i (mostly O’ahu), less than thirty in Southern California, and fewer than that in Australia (New South Wales) and New Zealand. This was despite the fact that the sport itself was hundreds of years old – if not thousands. From a lofty level of development in the Hawaiian Islands, where it had become part of the lifestyle of all Hawaiians prior to European contact, it fell to an almost ignominious near-death during the 1800s – mostly due to European and American influences.

During “The Resurgence” period of surfing at the beginning of the Twentieth Century (also known as "The Revival” period), surfing’s decline was arrested and set back on a course of natural evolution. Key figures in surfing’s renewal include: George Freeth, Alexander Hume Ford, Jack London, Duke Paoa Kahanamoku and numerous beach boys at Waikiki, on O’ahu, in the first two decades of the 1900s. Also influential, beginning in the 1920s, was Tom Blake who rose to prominence in surfing following his restoration of traditional Hawaiian surfboards and his creative innovation of those designs into what became known as “the hollow board” – both surfboards and paddleboards.

Tom Blake was motivated by a number of factors, notably the surfing and paddling contests held annually at Waikiki and in Southern California, at Corona del Mar. After restoring Chief Paki’s boards for the Bernice Pauahi Bishop Museum, Blake built some replicas for himself. In an article entitled, “Surf-riding – The Royal and Ancient Sport,” published in a 1930 edition of The Pan Pacific, he wrote: “I... wondered about these boards in the museum, wondered so much that in 1926 I built a duplicate of them as an experiment, my object being to find not a better board, but to find a faster board to use in the annual and popular surfboard paddling races held in Southern California each summer.” Tom had stumbled onto the hollow board in the process of shaping the olo design.

During the 1920s, surfboards weighed between 75 and 150 pounds. Paki’s olo was considerably heavier than the heaviest Waikiki board of the day, all of which were of solid wood construction. On a whim, Blake took his 16 foot olo replica board and, in his own words, “drilled it full of holes to lighten and dry it out, then plugged them up. Result: accidental invention of the first hollow surf-board.” Blake’s “holey” board ended up 15 feet long, 19 inches wide and 4 inches thick. Because it was partially hollow, this board weighed only 100 pounds.

His next step was to use it in the Pacific Coast Surfing Championships at Corona del Mar, just prior to the beginning of the Thirties.



Corona del Mar


Throughout “The Roaring 20s,” the main surf spot in Southern California was Corona del Mar. This was probably due as much to the nightlife at Balboa, across the channel, as it was to Corona’s exceptionally nice set-up, surf-wise. George Freeth had popularized surfing a little ways up the coast, first at Venice and then at Redondo Beach, during the 1910s and ‘20s, so this was also a factor.

During the area’s boom-days of the 1920s, a new development named Balboa Bay Palisades, created in 1923, later become what we now call Corona del Mar. During that decade, the area’s income came mostly from the Rendezvous dance hall, gambling and bootleg liquor. The Rendezvous Ballroom was the place to be and the place to hear the big band sounds of the time. On a Saturday night the town kind of resembled Bourbon Street in New Orleans during Mardi Gras. A number of businesses were involved in gambling.

Although not originally intended for surfers, the cement jetty at Corona del Mar was 800-foot long and constructed off the rocks at Big Corona. When the swells were running, you could launch from the end of the jetty, ride in next to it for approximately 800 feet, then climb up a chain ladder, run out on the jetty and do the same thing all over again – all day long, if you had the energy.

In 1923, two beacon lights were installed at the jetty entrance. These were written about in a Long Beach Press article, in December: “The two beacon lights at the end of the jetty protecting the entrance of Newport harbor are complete and have been turned over to the care of Antar Deraga, head of the Balboa life saving guards… The lights are about thirty feet above the ocean level and can be seen by all ships passing on the east side of Catalina.

“The outer beacon light is equipped with a three-fourths foot burner and will burn about 160 days. It flashes one second and five seconds dark. It is equipped with a sun valve for economy of operation. The inner beacon light is equipped with a five-sixteenths-foot burner without sun valve. It should burn 200 days. This beacon flashes every two and a half seconds.

“The government lighthouse service will also supply the keeper here with a lifeboat for use in rescue work. It will be in charge of Mr. Deraga, who is known as one of the most efficient lifeguards on the coast. Before coming here he made an enviable record in Europe and has recently been made a member of the Royal life saving guards of England and given a service medal in recognition of heroic service in the English Channel and also for saving the life of an English lady in this harbor last summer.”

Antar Deraga was also one of those who, along with standout surfer and rescuer Duke Kahanamoku, helped rescue the majority of the crew of the Thelma when it floundered off of Newport Beach in 1925:

“Battling with his surfboard through the heavy seas in which no small boat could live, Kahanamoku, was the first to reach the drowning men. He made three successive trips to the beach and carried four victims the first trip, three the second and one the third. Sheffield, Plummer and Derega were credited with saving four; while other members of the rescue party waded into the surf and carried the drowning men to safety…

“The accident occurred at the identical spot near the bell buoy where, almost to a day a year ago, a similar accident occurred and nine men were drowned. Two of the bodies were carried out to sea by the undertow and were never recovered.

“Captain Porter expressed the belief yesterday that at least eight or ten more would have been drowned had not Kahanamoku and Derega been ready with immediate assistance…

“The Hawaiian swimmer was camped on the beach with a party of film players and was just going out for his morning swim when the boat was wrecked. The lifeguards were just going on duty.”

So, there was a fatal record of difficulty for boats leaving the channel on a good swell. In 1927, the city of Newport voted $500,000 for a harbor expansion that included changes to the jetties. In 1928, the city approved $200,000 for work on both the west and east jetties. It was this later work that would forever change the jetties in terms of surfing and be lamented by surfers who considered Corona del Mar the main surfing beach of Southern California.

Surfing’s first dedicated surf photographer Doc Ball eulogized the early surf scene at Corona del Mar, when he later wrote in 1946: “We who knew it will never forget buzzing the end of that slippery, slimy jetty, just barely missing the crushing impact as the sea mashed into the concrete. Nor will we forget the squeeze act when 18 to 20 guys all tried to take off on the same fringing hook. And do you remember the days when you waited near that clanging bell buoy for the next set to arrive? Corona Del Mar’s zero surf was hell on the yachtsmen but – holy cow – what stuff for the Kamaainas. Yes! Those were the days.”



Pacific Coast Surfriding Championships, 1928


Before the glory days were gone at Corona del Mar, there was still some history to be made. It began on July 16, 1928 when a Long Beach Press-Telegram announced: “SURFBOARD CLUB WILL HOLD TITLE MEET AT HARBOR.” The article read: “The Corona Del Mar Surfboard Club, which claims to be the largest organization of its kind in the world, will hold a championship surfboard riding tournament at the Corona Del Mar beach at the entrance to Newport Harbor on Sunday, August 5.

“Some of the most notable surfboard riders in the world are expected to compete, including the famous swimmer and surfboard rider, Duke Kahanamoku, Hawaiian champion; Tom Blake of Redondo, who won two championships, and Harold Jarvis, long distance swimmer of the Los Angeles Athletic Club. Some of the surfboard riders are predicting that new world records will be made here during the meet. So far fifteen surfboard artists have signed up, including some from as far away as San Francisco. It is planned to make it an annual event.”

On August 5, 1928, the Press-Telegram reported: “PLANS COMPLETED FOR SURFBOARD RIDING TILT.” It went on: “Preparations have been completed for the Pacific Coast surfboard riding championship tournament, to be held at Corona Del Mar, the entrance to Newport Harbor today. Part of the entrance to the harbor is said to be only surpassed by some Hawaiian beaches for surfboard riding.

“Duke Kahanamoku and other well-known surfboard artists will compete. Besides surfboard riding the program will include canoe tilting contests, paddling races and a life-saving exhibition by surfboard riders. In addition to Kahanamoku, other well-known members of the club include Tom Blake of Redondo, Gerard Vultee and Art Vultee of the Los Angeles Athletic Club, Clyde Swedson of the Hollywood Athletic Club, and others.”

More than the results of who won what, the big story of this first-ever surf contest on the U.S. mainland was the first-ever unveiling of the hollow surfboard in competition. Tom Blake brought his drilled-hole hollow board innovation and a regular 9-foot 6-inch redwood surfboard surfboard back with him by boat to the U.S. Mainland. Armed with his partially hollow olo replica, Tom subsequently won the first Pacific Coast Surfriding Championships – which he had also helped organize.

Held under direction of Captain Scheffield of the Corona del Mar Surfboard Club, the championship’s main event was a paddle race from shore to the bell buoy break, followed by a surf ride in. “500 yards and back; 1st back to win,” Tom remembered. In later documenting the event for his protégé Tommy Zahn in 1972, Tom wrote: “Situation: about 8 or 10 men, including Gerard Vultee (late co-founder of Lockheed; an aeronautical engineer; designer of aircraft and surfboards). He had the longest board; 11-feet. I had a 9’6’ broad riding board. I figured he would be 1st out at the break and therefore should get the first wave in.

“I had this (1st one only) 15-foot paddle board with me for the paddling race (115 lb.). So I decided to use both boards in the surfing race. Had them both on the beach as the starting gun went off. Everybody got a good head start; Vultee in the lead. I slowly proceeded to put the 15’ P.B. in the water, then went back to get the 9 ½ job; placed it upon the P.B. and started after the field, now 50 yards out. Slowly caught and passed them at 300 yards and arrived at the starting break [the bell buoy break] alone with a minute to spare – discarded the long board and lined up for the 1st wave. They were about 6 or 7 feet high; not large, but strong.

“Vultee arrived first, then the rest; we all had to wait a few minutes for a set of waves. Vultee and me took after the first one. He got it and took off on the left side, for shore. But, the second wave was a bit bigger. I got it and slid right. Vultee’s wave petered out in the channel; mine carried me all the way in, opposite the jetty and to shore for a win. There was a movie outfit there; a news reel deal. I later saw the ride and had a close-up [made]; someone probably still has it.”

Tom used two boards that historic day, the drilled-hole hollow board for paddling and a more conventional board for riding waves. Having a board strictly for paddling was unheard of up to this point. Everyone competed in paddling races on surfboards. Some California old-timers recalled that it was the first time they had ever seen a surfboard turned. Dragging either the left or the right leg in the water accomplished this. Board length was 16 feet; the weight was 120 pounds. Blake recalled his huge drilled-hole olo design paddleboard: “When I appeared with it for the first time before 10,000 people gathered for a holiday and to watch the races, it was regarded as silly. Handling this heavy board alone, I got off to a poor start, the rest of the field gaining a thirty-yard lead in the meantime. It really looked bad for the board and my reputation and hundreds openly laughed. But a few minutes later it turned to applause because the big board led the way to the finish of the 880-yard course by fully 100 yards.”

“Later,” after the main event, “they held a 440 yard board race, paddling. I let Vultee lead for most of it, then breezed by him on the new semi-hollow paddle board. Received a statue of a swimmer and a cup. Still have the statuette of a swimmer; the cup is held by some club; don’t know who. It has Pete’s name on it for many later winnings.” A picture of the cup, along with a list of yearly winners, can be seen in Doc Ball’s California Surfriders 1946.

Next day, the Long Beach Press-Telegram printed: “LOS ANGELES MAN, TOM BLAKE, WINNER OF EVENTS OF SURFBOARD CLUB.” The article continued: “The aquatic powers of Tom Blake, bewhiskered athlete of the Los Angeles Athletic Club, enabled him to win over an assemblage of swimmers in the meet held yesterday afternoon in front of the Starr Bath House on the Corona Del Mar beach. Blake took two of the first places, winning easily the surfboard contest and the paddling race. He was awarded silver trophies for his championship.

“Several hundred people lined the beach to witness the contest held under the auspices of the Corona Del Mar Surfboard Association. The fact that Duke Kahanamoku, famous surfboard rider, could not be present did not detract from the excitement of the day.

“The Corona Del Mar Surfboard Club has been sponsored by Captain D.W. Sheffield, manager of the Starr Bathhouse. It is said to be the only organization of its kind on the Pacific Coast.

“The results of the contest were as follows: Quarter-mile surfboard race, won by Tom Blake, L.A.A.C.; second, Gerard Vultee, Corona Del Mar; third Dennie Williams, Corona Del Mar. Paddling race was won by Tom Blake; second, Dennie Williams.”

The first first-place PCSC trophy “was first won by Tom Blake in 1928 at Corona Del Mar,” confirmed Doc Ball in his classic collection of early California surfer photos, California Surfriders, 1946. Because the original trophy was not much to speak of, later on, Tom Blake had a nicely embossed trophy cup made in order to pass on to succeeding winners. Blake donated this trophy “to be the perpetual cup for the above mentioned event. Winners since 1928 are inscribed on the back of it.” A good photograph of it appears in Doc’s book California Surfriders, 1946. Doc added that “World War II precluded any possibilities of a contest from 1941 through 1946.”

The Pacific Coast Surfriding Championships became an annual event, dominated for 4-out-of-9 years by Pete Peterson. Peterson reigned as California’s recognized top surfer during 1932, 1936, 1938 and 1941. Other early winners of the trophy included Keller Watson (1929), Gardner Lippincott (1934), Lorrin “Whitey” Harrison (1939) and Cliff Tucker (1940).

As for Tom Blake, although he met with competitive success on the U.S. Mainland, his eyes were also on the Islands. “My dream was to introduce, or revive, this type of board in Hawaii where surfboard racing and riding is at its best,” he wrote in his 1935 edition of Hawaiian Surfboard. “This seems to have materialized...”



Ala Wai, December 1929


Following his win of the first Pacific Coast Surfing Championship at Corona del Mar in 1928, Blake changed the construction of his drilled-hole hollow boards. In the later part of 1929, after three years of experimenting with his hollow approach, Tom switched construction to a chambered-type construction. “I introduced at Waikiki a new type of surfboard,” Blake wrote of his innovative hollow surfboard. It was, “new so the papers said, and so the beach boys said, but in reality the design was taken from the ancient Hawaiian type of board,” his 1926 replicas of them, and “also from the English racing shell. It was called a ‘cigar board,’ because a newspaper reporter thought it was shaped like a giant cigar.”

Of Blake’s hollow olo-inspired design, Dr. D’Eliscu of the Honolulu Star-Bulletin wrote that “The old Hawaiian surfboard has again made its appearance at Waikiki beach modeled after the boards used in the old days. A practice trial was held yesterday at the War Memorial Pool, and to the surprise of the officials, the board took several seconds off the Hawaiian record for one hundred yards.” Blake referred to this modern olo design as the racing model; in essence a paddleboard. He built what he termed the riding model surfboard, “Okohola,” a month later, in December 1929.

The hollow paddleboards and surfboards Blake now made, “differed from the olo in that they were flat-decked, built of redwood, and hollow,” wrote Finney and Houston in Surfing, The Sport of Hawaiian Kings, many years later. “They were excellent for paddling and also successful in the surf. Like the olo they were well adapted to the glossy rollers at Waikiki. A man could catch a wave far out beyond the break, while the swell was still a gentle, shore-rolling slope, and the board would slide easily along the wave, whether it grew steep and broke, or barely rose and flattened out again.”

Tom Blake’s innovations inspired others to experiment, including Duke Kahanamoku. Some builders began “using alternating strips of laminated pine or redwood, instead of one or several planks of the same wood,” Finney and Houston noted. “These striped boards combined the strength of pine with the light weight of redwood and were believed to be more functional as well as more attractive. About this time lightweight balsa boards were first tried, but were dismissed as too light and fragile for practical use.”

Duke Kahanamoku told Blake that the 10-foot redwood planks he and the boys rode at the beginning of the century had been “in vogue until 1924 when Lorrin Thurston, one of Hawaii’s most enthusiastic surfriders, appeared with a twelve-foot board. To Thurston also goes the credit of introducing the balsa wood board in 1926. It was really a revival of the wili wili boards used by the old Hawaiian chiefs except for design. The ten to twelve-foot boards were used exclusively until 1929 when I built a successful [Blake inspired] sixteen-foot board, which is handled quite the same as the old Hawaiian boards, and I feel sure will put surfriding on much the same scale as it was before the white man came.”

Duke went on to say that Blake’s first experiments had been initially “predicated on the belief that faster rides would be generated by heavier boards. But the turning problem became bigger with the size of the board; a prone surfer was compelled to drag one foot in the water on the inside of the turn, and this only contributed to loss of forward speed. If standing, he had to drag an arm over the side, and with the same result of diminishing momentum.

“Paddleboards are still with us today, and they are obviously here to stay. Some fantastic records have been established with them. And the sport of paddleboarding has naturally drawn some outstanding men to its ranks. It is a long list, a gallant list.”

Recapping the evolution of it all, Blake said his first hollow board “was purely for racing, and I soon followed it with a riding board sixteen feet long. The new riding board model was a great success [‘Okohola’].” Blake added with some pride that “Duke Kahanamoku built his great 16-foot hollow redwood board along about the same time…”

Tom Blake set his first world’s record in paddling at Ala Wai in December 1929. It came after years of discipline and development of skill in racing under stress. He had swum in hundreds of races during the eight years previously and won the first official California surfing contest (the PCSC) the year before. The Honolulu Star-Bulletin from December 2, 1929, reported the event the day after: “BLAKE SETS 100-YARD SURFBOARD PADDLE MARK. Big Crowd On Hand To Take In Sunday Races; Outrigger Club Clean Sweeps In Ala Wai Program of 18 Popular Events.” The Honolulu Star-Bulletin went on: “Demonstrating the possibilities of such a surfboard, Tom Blake of ‘cigar surfboard’ fame, yesterday paddled his pet water rider to a new 100-yard Hawaiian record (world’s record) at the Ala Wai where he negotiated the distance in 35 1-5 seconds, bettering the old mark by five full seconds in an exhibition witnessed by a crowd of 1000.

“The former record was 40 1-5 seconds made last year by Edric Cooke. More plumes are added to his [Blake’s] achievement when it is considered that he had to paddle through the water against a stiff wind and a tide.

“The ‘cigar surfboard’ just glided through the water without a splash and it was an uncanny sight. Blake was in excellent shape and worked his arms tirelessly to set the new world record.”

“The exhibition,” continued the Honolulu Star-Bulletin, “was the feature to a program of surfboard races staged by the recreation commission of the city. The events were put on to prepare those interested in surfboard paddling for the big races to be held during the Christmas holidays.

“The number of automobiles and the large crowds that gathered on both sides of the canal surprised the officials who helped revive the interest in an activity which typifies the islands…

“Sixteen paddle events were conducted in two hours and the timers, judges, clerks and other officials were kept running up and down the banks following the start then taking the finish…

“The Outrigger Canoe club, under the guidance of George (‘Dad’) Center, romped away with all the honors, as the other organizations did not believe that a contest of this kind would be successfully held.

“The appearance of the smoothness of the cigar-shaped board, and the quiet, reserved and impressive showing of its maker and paddler, Tom Blake, attracted more than usual interest. Everybody wanted to use that type of board and the success and speed of this board showed itself in the number of races that were won by the individuals using it.

“Never before in any open races have so many boards been collected in one place. It required a private truck to haul all the surfboards from the Outrigger and Hui Nalu clubs to Ala Wai...”

The Honolulu Star-Bulletin noted some resistance to this new type of watercraft: 

“The question was raised by the officials as to a standard board to be required in all future open competition. The feeling was against this proposal. The officials felt that no board designed to ride the surf could be barred from any of the races scheduled.

“The result of Sunday’s special events assures a number of new records on Christmas Day, when a special program will be held for surfboard followers…”

“This board was really graceful and beautiful to look at,” Tom wrote proudly of his carved chambered paddleboard, “and in performance was so good that officials of the Annual Surfboard Paddling Championship immediately had a set of nine of them built for use...”

Not everyone enthusiastically embraced hollow paddleboards and hollow surfboards. Even later, when hollow boards became the standard at many beaches, solid boards were often preferred. Doc Ball’s California Surfriders, featuring photographs taken primarily during the 1930s, shows a large number of solid boards in use. Ironically, Blake’s world record-breaking wins in both the 100-yard and half mile paddling events of the Hawaiian Surfboard Paddling Championships put him into disfavor with some Hawaiians. Resistance to his new designs started to show in the December 1, 1929 race, with an initial attempt to disqualify him, some saying that he was not using a surfboard. Well, they were right on that account. Up until the Pacific Coast Surfing Championship the year before, there had been no such thing as a “paddleboard” specifically used for paddle racing. All paddling races up to that time had utilized surfboards.

Popular local Tommy Keakona, himself a champion of the 1928 Ala Wai races, refused to compete against Tom in protest over the type of board he was using. Other “purist” Hawaiian surfers and distance paddlers demanded that only traditionally shaped and solid paddleboards be allowed to race. Other paddlers lobbied for the new design, claiming, rightfully, that it “marked the beginning of a new era in surfing and paddling.”

Referring to his board as “The Cigar Water Conqueror,” a Honolulu Star-Bulletin article written by Francois D’Eliscu documented Tom’s win with this headline: “3000 WATCH SURFERS RACE UPON ALA WAI CANAL. Every Record in History of Sport is Shattered; Cigar Board Comes Into Its Own.” D’Eliscu went on to write: “More than 3000 spectators crowded the banks of the Ala Wai this morning to witness the championship surfboard races in which every record in the history of the sport was shattered.

“Never before was such a contest so keenly fought. Remarkable times were made in the 10-event program.

“The cigar-shaped board was supreme. Each paddler showed speed, smoothness and wonderful control in handling the thin, light, fast-moving planks.

“Tom Blake, originator of the cigar shaped board, staged a surprise unknown to even his coaches when he appeared with a hollow carved cigar board. In the first event on the program, the half-mile men’s open, Blake won in 4 minutes 49 seconds, beating the old record by 2 minutes 13 seconds.

“T. Keakona, last year’s title holder, refused to enter the races, due to the type of board used by Blake.

“The feature event of the morning was the 100-yard open championship. Eight men from three of the best surfboard organizations started. Tom Blake, O.C.C.; Sam Kahanamoku, Hui Nalu; and Fred Vasco of the Queen’s Surfers, finished in the order named.

“The race was exciting from the gun. Tom with his powerful, easy, mechanical stroke and perfect balance found Sam a real competitor. The finish found Blake just a few inches ahead of the versatile swimmer. The time of 31 3-5 seconds for this race was better than last year’s 36 1-5 seconds.”

Another Honolulu newspaper article, written by Andrew Mitsukado, also documented Blake’s wins: “EIGHT RECORDS LOWERED IN MEET. Cigar-shaped Board Is Big Hit, Tom Blake Is Big Star.” Mitsukado continued: “Eight old records went whirling into oblivion and two new marks were established at the sixth annual Hawaiian championship surf board paddling races, sponsored by the Dawkins, Benny Co., yester morn in the Ala Wai before a monstrous crowd which was kept on the well-known edge throughout the ten event program.

“The newly devised cigar-shaped surfboards assisted tremendously in creating the new marks.

“Tom Blake of the Outrigger Canoe Club proved to be the big star of the meet, winning two individual events – the 100 yards men’s open and the half-mile open – and paddling anchor on the triumphant Outrigger team in the three-quarter mile club relay. He used a cigar-shaped board of his own invention and came through with flying colors.

“All of the races were hard fought and competition was keen, furnishing thrills after thrills for the spectators…”

“The half-mile record of seven minutes and two seconds was cut that year,” Tom wrote of the 1929 Annual Surfboard Paddling Championship, “to four minutes and forty-nine seconds and the hundred-yard dash was reduced from thirty-six and two-fifths seconds to thirty-one and three-fifths seconds. This made me the 1930 champion in the senior events and, incidentally, the new record holder. But as is true in yacht and other similar racing, I won because I had a superior board. This was the first cured or hollowed out [paddle] board to appear at Waikiki. As the racing rules allowed unrestricted size and design, I staked my chances on this hollow racer whose points were proven for now all racing boards are hollow.”

It “was a ‘hollow’ victory,” underscored Tom’s friend Sam Reid, who also competed in the Championship. Playing on words in a detailed surfing memoir published in a 1955 edition of the Honolulu Star-Bulletin, Reid added that “Blake had hollowed out his 16-foot cigar board to a 60 pound weight, compared with an average 100 to 125 pounds weight of the other 9 boards in the 100.”

“Oh, yeah!” Santa Monica lifeguard Wally Burton told a little bit about what was behind the resentment. “He was very innovative. Yeah, he had a good, active mind and… when he was over in the Islands there, he was winning everything. You know, the Duke was the all-time great over there, at that time. And he [Tom] went over there and he took everything away from the Duke. As a matter of fact, they didn’t like Tom too well over in the Islands, because Duke was the hero.”

“Reverberations of the ‘hollow board’ tiff were heard from one end of the Ala Wai to the other,” recalled Sam Reid, “and echoes can still be heard at Waikiki even today – 25 years later. At a meeting of the three (surfing) clubs, Outrigger, Hui Nalu and Queens, held immediately after the disputed races… it was decided that henceforth there would be no limit whatever on (the design) of paddleboards.” It is a sad fact that much resentment over his lightweight designs remained after Tom’s Ala Wai wins. Because of the 1929/1930 Ala Wai controversies, Tom only entered the race one more time, the following year. Impressively, Tom’s half-mile record of 4:49:00 stood until 1955. It was broken by George Downing, who covered the course in 4:36:00 on a 20-foot hollow balsa board. Blake’s board had been a 16-foot hollow redwood. Other long-standing records held by Tom include the world’s record for the 1/2 mile open and 100 yard dash in paddleboard racing. They were held for twenty-five years.

Tom competed once more in the Ala Wai contest, the next time it was held, in early 1931. A Honolulu Star-Bulletin January 1, 1931, article indicates his participation and tells some of the history of the race and of surfing: “Announce List of Officials to Handle 1931 Surfboard Races,” headlined the article written by Francois D’Eliscu. “Any Type of Board Can Be Used This Year; Races Will Be Held at the Ala Wai on January 4; New Kind of Board Will Be Introduced.

“The seventh annual surfboard paddling Hawaiian championships to be held Sunday morning, January 4, 1931, on the Ala Wai canal, promises to be the most interesting event ever held for the paddlers of Oahu… All of the titleholders of last year are entered and the ruling permitting any kind of board in the various races means new records, especially for the century.

“Tom Blake, who startled the community with his cigar-shaped hollow board and smashed all existing records, is reported to have another new type board that is faster and lighter than the one he won with so easily last year.”

Under the subheading of “‘Sport of Kings,’” D’Eliscu continued: “Surfboard racing in Hawaii is known as the ‘sport of kings’ on account of its association with the history and tradition of old-time Hawaii when the chiefs competed on large heavy boards.

“Many of these relics are on exhibition in the museum and it is here where Tom Blake spent many an hour studying the shape, weights and speed of the boards, which prompted him to build his cigar-shaped board…

“Committees and officials have been selected to conduct the meet. The group in charge of the events are: Honorary chairman, ‘Dad’ Center; sponsors, C.G. Benny and H.L. Reppeto; Gay Harris of the Outrigger Canoe Club; Charles Amalu from Queen Surfers, and David Kahanamoku, representing the Hui Nalu swimming club.

“The officials in charge of the meet are as follows: Referee Duke P. Kahanamoku; clerk of course, David Kahanamoku; starter, G.D. Crozier; timers, Dad Center, A.H. Myhre, R.N. Benny, C.A. Slaght, R.J. Thomas and William Hollinger.

“Judges, Dr. Francois D’Eliscu, T.C. Gibson, Henry Sheldon and V. Ligda; recorder, H.L. Reppeto, and Gay Harris will be in charge of the equipment…

“Cecil Benny, who has been responsible for the continuation of the surfboard races and competitions, deserves a great deal of public commendation for his interest in keeping the Hawaiian sport alive.”

Blake’s superior designs were not the only factor in his success. He was also a tremendous swimmer and paddler. Two decades later, his protégé Tommy Zahn paddled the Ala Wai, for practice, with Hot Curl surfer Wally Froiseth’s protégé George Downing. At first he thought his watch was off because he could not achieve Blake’s times on an evolved paddleboard with superior training.

During this period, Tom was coming out with a new board every year. He was driven to refine his designs, and by the end of the 1930s, both his surfboards and paddleboards were very different from what he started out with a decade before. As far as the controversies at Ala Wai were concerned, Tom learned that good intentions do not always breed good feelings. Because of his competitive wins, he later said that he became a version of “The Ugly American.” Specifically, Tom recalled, “I discovered too late that beating the locals at their own game, in front of their families, could sour relations with my Hawaiian friends.”

When he had first come to Hawai’i, he was accepted at the beach, welcomed by the Kahanamoku’s and the beach boys, and “treated… like a king.” Even so, he was an outsider and consequently “… they paid no attention to you,” recalled Tom. “You roamed around there, nobody knew you, and it’s a wonderful way to live, when you keep a low profile. Like, nobody’s shootin’ at you, you know? That went on for years, and it’s just like, I got interested in their sports, surfing and paddling, and managed to build a little better board than they had, and beat them in their contests. And then they began to look at you. There’s something we don’t like, and that was the end of the real good days.”

It may have been the end of the “real good days” for Tom in the Islands, but he still had many good Hawaiian days to come. He would continue his love affair with the Islands for another 25 years.



Blake Board Evolution


Despite the bad feelings surrounding Tom’s wins at the Hawaiian Surfboard Championships 1929-31, there were positive effects. Women and kids found the hollow boards much lighter than the standard issue board of the day and could be dragged to the beach more easily. Also, other surfboard shapers began experimenting with the hollow board concept. “Imagination of design,” Sam Reid remembered, “ran riot.”

Duke Kahanamoku gave Tom high credit and respect for his contributions. “Blond Tom Blake... was a haole who accepted the challenge,” related Duke to his biographer Joseph Brennan in their 1968 book World of Surfing, “and proved to be one of the finest board men to walk the beach. Daring and imaginative he always was. He, like myself, was driven with the urge to experiment.” Addressing Blake’s hollow racing paddleboard, Duke acknowledged that, “He was the one who first built and introduced the paddleboard – a big hollow surfing craft that was simple to paddle and picked up waves easily but was difficult to turn. It had straight rails, a semi-pointed tail, and laminated wood for the deck. For its purpose it was tops.”

Duke’s shaping of a hollow made Tom unabashedly proud. He later wrote: “Duke Kahanamoku built his great 16-foot hollow redwood board along about the same time. He is an excellent craftsman and shapes the lines and balance of his boards with the eye; he detects its irregularities by touch of the hand.

“I feel, however,” Blake added in deference to the Father of Modern Surfing, “that Duke has some appreciation of the old museum boards and from his wide experience in surfriding and his constructive turn of mind would have eventually duplicated them, regardless of precedent.”

Duke’s Blake-inspired design, shaped around 1930, was a 16 footer, made of koa wood, weighed 114 pounds, and was designed after the ancient Hawaiian olo board, as Blake’s had been. “With his rare expertise and outstanding strength,” Joseph Brennan wrote, “Duke handled it well in booming surfs. He used to defend his giant board and kid fellow surfers with, ‘Don’t sweat the small stuff. Reason? Because it’s small stuff.’” Duke went on to say that Blake’s first experiments had been initially “predicated on the belief that faster rides would be generated by heavier boards. But the turning problem became bigger with the size of the board; a prone surfer was compelled to drag one foot in the water on the inside of the turn, and this only contributed to loss of forward speed. If standing, he had to drag an arm over the side, and with the same result of diminishing momentum.

“Paddleboards are still with us today,” Duke continued, “and they are obviously here to stay. Some fantastic records have been established with them. And the sport of paddle boarding has naturally drawn some outstanding men to its ranks. It is a long list, a gallant list.”

After Tom’s win at the Ala Wai, some surfboard and paddleboard builders who had not gone hollow began “using alternating strips of laminated pine or redwood, instead of one or several planks of the same wood,” historians Finney and Houston noted, obviously influenced by Blake’s direction to lessen the weight. “These striped boards combined the strength of pine with the light weight of redwood and were believed to be more functional as well as more attractive. About this time lightweight balsa boards were first tried, but were dismissed as too light and fragile for practical use.”

The 10 foot redwood plank that Duke and the early Waikiki surfers had ridden since shortly after the beginning of the century had been “in vogue until 1924,” Duke recalled, “when Lorrin Thurston, one of Hawaii’s most enthusiastic surf riders, appeared with a twelve-foot board. To Thurston also goes the credit of introducing the balsa wood board in 1926. It was really a revival of the wili wili boards used by the old Hawaiian chiefs except for design. The ten to twelve-foot boards were used exclusively until 1929 when I built [after Tom Blake] a successful sixteen-foot board, which is handled quite the same as the old Hawaiian boards, and I feel sure will put surf riding on much the same scale as it was before the white man came.”

Step three in the hollow board evolution came in 1932 with Blake’s use of the transversely braced hollow hull. By using ribs for strength, much as in an airplane wing, Tom brought the weight of the hollow boards down even further. It is not definitively known for sure, but it is probable that Tom’s friendship with aviator Gerard Vultee influenced him in this further development of the hollow board. At any rate, the result of this design was a strong 40-to-70 pound board, depending on length.

A final refinement to the Blake hollow board would not occur until the end of the decade, when the board rails began to be rounded. Initially, Tom’s hollows were built with 90-degree flat-sided rails. The whitewater would catch these and knock a board out from under a rider, sending him or her sideways. With the rounded rail that was an original component to the traditional Hawaiian boards, water could move over and under the board with much less resistance.

After 1932, the Blake hollow surfboard and paddleboard could be found worldwide – from Hong Kong to Brazil. The most important use of the hollow paddleboard became its utility as a rescue device in oceans, rivers, and lakes. In the later half of the 1930s, the hollow paddle rescue board was adopted by the Pacific Coast Lifesaving Corps and used by the American Red Cross National Aquatic Schools for instruction. Today, the rescue paddleboard can be found on almost any ocean beach protected by lifeguards. Significantly, today, many of the more advanced epoxy boards are of hollow construction. “Surf Tech” boards are almost universally hollow. While using technology undreamed of by Blake, they are nevertheless take-offs on his original hollow board concept.



Santa Monica


Meanwhile, Tom Blake returned to the United States Mainland in 1932, probably to oversee the production of his first production boards made by Thomas Rogers. While he was in Santa Monica, he did some lifeguarding, even working for the Santa Monica City lifeguards for a very short time. “Oh, he came down there,” Santa Monica lifeguard and early California surfer Wally Burton remembered of Tom at Santa Monica Beach, “and he worked at the lifeguard station there. He worked as what we called an ‘as-needed guard.’ But, he wasn’t the most dependable guy when it came to showing up for time and all. He was an independent sort of a guy.”

Tom made better money at private beaches and swim clubs, so perhaps he was not all that interested in working for a municipality. Also, Tom was not a regimented 9-to-5 man. He would never have gone for the military style sworn-in guard atmosphere working for the city. Tom was a free spirit and could not be tied down.

Asked about Tom, personally, Wally Burton replied, “Well, there’s one thing that’s deeply impressed in my mind. I worked for the County of Los Angeles before they had the Santa Monica lifeguard service. I worked for [the] first LA guard system, and it was at the mouth of the Santa Monica Canyon, where we had our first station there… [This dates back to when I was] nineteen. Let’s see. I got canned from the L.A. County guard service because I wasn’t old enough. They deputized you at that time. You had to be twenty-one. And I worked for them for a year before they found out I wasn’t twenty-one. So, there were three of us they let go.”

“So, I worked at that Santa Monica station when I was nineteen years old… I was nineteen [in] 1929. I remember sitting on the doorsteps of that guard station there. And I vividly remember Tom Blake, because as the sun was setting one evening, he was standing there motionless looking out at the ocean. And I betcha he stood there just absolutely motionless, his silhouette etched against the sunset. And when it was all over, he finally walked away. And you could just tell he was just dreaming. He was a dreamer. And I walked up to him after it was all over and I said, ‘What were you doing there, Tom?’ He said, ‘I was just thinking about what’s beyond that sea, you know.’ Just like that. And he just stood, kind of looked at me for a minute, and he just walked off quietly. He wasn’t the kind of guy to talk very much… But when he said something, you had to listen, because it was something that was, you know, sincere from his heart. I was very much impressed with Tom, but I always considered him a dreamer.”

“I liked the guy a lot,” Wally said of Tom. “I admired him an awful lot. I guess he was one of my heroes, really, and I looked up to him. And I also looked up to Pete Peterson. Pete, I think, was a better surfer than anybody ever gave him credit for. He surfed in the Islands, did things, you know, when they take these gals [tandem] and put them on his shoulders? Pete did an outstanding job in surfing and won so many trophies... I don’t want to take away from Tom, but I think he was, actually, a better surfer than Tom… Although I admired Tom for a lot of other things – the dreaming aspect of it all and his innovative deals. Pete was equally innovative in a quiet sort of way.”

Tommy Zahn, Tom’s protégé later on, liked to tell a story about when Tom was still lifeguarding at the Santa Monica Beach Club. It had to do with his mentor, who was a bit past his prime as a competitive swimmer by this time, and a quart of ice cream: “Blake was working at the beach club when Al Laws was still there,” Tommy recalled the story that had been told to him. “Al was talking to this one guy and he said, ‘Hey, there’s this great swimmer… [who’s] a lifeguard down at the beach club.’ So, he takes him down there and he introduces him to Blake. At that time – in fact up until quite recently – the beach club used to put out a lifeline; a buoy line. It used to run out 300 yards into the water with a buoy on the end. And this guy said, ‘Well, I like the lifeline. I can jump in there and pull myself out to the end of that line and back faster than you can swim it.’

“Blake didn’t say anything. You know. Al Law says, ‘I bet you, you can’t.’ So, they were making a money bet on the thing and Al asked Blake if he’d participate and what he wanted of the piece of the action. And Blake thought around for a while and said, ‘Well, I’ll do it for a quart of ice cream.’ [Tommy snickered]. So, they set these two guys off; Blake swimming and this guy pulling himself hand over hand out to [laughs] the end of this lifeline. You can imagine how that all ended-up, eh? I think Blake was back on the beach, dry – his hair was dry – before this guy ever got back to the beach.”

The Great Depression continued to take its toll in the United States. By the time the year 1932 ended, 1,161 banks had failed, nearly 20,000 businesses went bankrupt, and 21,000 people committed suicide in that year alone. The Tom Blake hollow paddleboard and hollow surfboards had been available, commercially, for less than a year. Almost as if it was planned to underscore their utility in ocean rescue, Tom made the first hollow board rescue on July 17, 1932. The Los Angeles Times reported: “Lifeguard Uses Surfboard in Rescuing Pair.

“SANTA MONICA, July 17. – Enter the surfboard rescue! It was effected here late today before the astonished gaze of thousands of bathers.

“Healy Kemp and Henry Wise put out from the Santa Monica Beach Club in a skiff. The sea was choppy. Three-quarters of a mile off shore a swell swamped the frail craft and the men found themselves floundering in the water. Tom Blake, municipal lifeguard and reputed world’s champion surfboard rider, saw their distress signals and struck out for them aboard his Hawaiian surfboard. He found them clinging to the capsized skiff, took them upon his board and brought them to safety through the breakers. Capt. Roger Cornell, head of the lifeguard crew, declared it to be the first surfboard rescue of record.”

The next day, a newspaper article, “Lifeguard on Surf Board Saves Two from Drowning, Boat Capsizes Three-Quarters of Mile from Shore with Two Occupants” reported: “Tom Blake, world’s champion surfboard rider, was today receiving the thanks of two victims of a near-disaster who found themselves floundering in the water yesterday when their skiff overturned…” Before the paddleboard or surfboard rescue, the rescue dory had been the norm. The dory took a long time, in comparison, to launch and reach the victim. It also often took two men to row it. The paddleboard rescue technique completely changed ocean rescue. It is used even today, although jet skis are now taking the majority of duty in larger surf areas or where it is easy to launch them.



Catalina Crossing, 1932


Although many would refer to it as a contest or race immediately afterward and on into present day, the 1932 Catalina Crossing by Tom, Pete Peterson and Wally Burton was not so much a race as a test of endurance and a promotion to spotlight Tom’s production hollow board. “Blake did not consider the Catalina paddle a race,” emphasized his friend and biographer Gary Lynch. “He said it was a demonstration of the ability of his new Rogers [manufactured] paddleboards. To prove how they could perform in long distance rescue work. Also it was to prove the stamina of men who paddled then... He said it was not a race and unfair to call it one. Wally and Pete did Tom a favor really [by helping him promote his boards].”

The Catalina paddle “was my idea,” California surfing pioneer Chauncy Granstrom recalled. Pete [Peterson] and I paddled together quite a bit and [at that time] there were two fishing barges out there [off shore from the beach]. We paddled out to the barges one day and I said, ‘Listen, let’s see who can paddle to the [Channel] Islands.’ So, Gary Halten [a lifeguard lieutenant] got a hold of the idea and made a big deal out of it. We started training harder [as a result]…”

Out of all the paddling events of his life, the Catalina crossing was the one that held the most memories for Tom. “My motive was to prove the paddleboard a good rescue devise. It [the Catalina paddle] reached into unknown territory and was well worth the pain. I trained for it by securing a paddleboard to the edge of the Corona del Mar [jetty] and paddling up to three hours [a day]. The trophy I won was a blue urn; for my ashes.”

Tom’s board for the crossing was a Rogers 14-foot hollow board weighing 75 pounds.

Originally, there were four paddlers entered in what some people insisted was “a race from the California mainland to Catalina Island over a 26-mile course, across open water.” Tom, Pete Peterson, Wally Burton, and Chauncy Granstrom were the original entrants. Chauncy pulled out, leaving the field to just the three. Out of the trio, Tom trained the hardest for the feat and was first to cross, making the trek in 5 hours and 53 minutes. “There’s an average of about 5 miles per hour,” Tom wrote, “with only the hands and arms to propel the hollow surfboard.” Pete and Wally came in later, at about 6.5 hours.

The crossing was well publicized in area newspapers. “Blake Takes Paddle Board Catalina Race; 5 Hrs. 23 Min.” began one article that went on to print: “Battling rough and choppy seas most of the thirty-six nautical miles between Point Vicente, on the mainland, and Long Point, Catalina Island, Tom Blake crossed the channel on a paddle board yesterday in five hours and twenty-three minutes actual time.

“En route he took thirty-two minutes for rest and refreshments.

“Preston Peterson was second, covering the distance in six hours and twenty-nine minutes, and Wally Burton third in six hours and fifty minutes.

“Blake is the Hawaiian paddle board champion and Peterson and Burton are members of the lifeguard crew of the city of Santa Monica.

“The contenders were accompanied by the 40-foot cruiser Gloria H. under command of Capt. O.C. Olsen with timers and a physician aboard. They were taken to Avalon, where they were awarded prizes.

“The object of the contest, according to Capt. George Watkins of the Santa Monica lifeguards, was to show the efficiency of the paddleboard in life-saving work.”

Another newspaper printed: “GUARDS CONQUER CATALINA CHANNEL. Blake, Peterson, Burton Make Trip to Island on Paddle Boards.” The article continued: “Fighting choppy waves during the last five miles of the hazardous trip, three Santa Monica lifeguards yesterday bested the 29 mile stretch of open channel between Point Vicente and Catalina Island by crossing it on paddle boards.

“Tom Blake, Hawaiian champion in 1929, and club guard here, made the fastest time in the unique contest, which originally was planned as a demonstration of the use of paddle boards in the open sea. Blake made the crossing in five hours and 53 minutes.”

Under a sub-heading of “Peterson Second,” the newspaper report continued: “Second place went to Lieut. Preston Peterson, of the municipal lifeguard service, who made the crossing in six hours, 31 minutes. Lieut. Wally Burton was third, finishing in 6 hours and 53 minutes.

“The three men were exhausted when dragged from the water by Guards Pat Lister and Bob Butts, who rowed a dory alongside the paddlers the entire distance, quite a feat in itself. The Capt. O.C. Olsen Co. boat, Gloria H., chugged ahead as a convoy.

“The participants reported the crossing uneventful, except for the last few miles, when they were forced to battle through water made choppy by a brisk wind.”

Under the sub-heading “‘Shot’ for News Reels,” the article went on to report: “News reels ‘caught them’ when they arrived at Avalon and were greeted by city officials and prominent yachtsmen of the island colony.

“Dr. J.S. Kelsey Jr., chairman of the lifeguard committee, which authorized the event, and J.H. Blanchard, a member of the committee, were among the Santa Monicans aboard the convoy boat.”

“It started out as a test, not a race,” Tom underscored. “It really put the board across as a rescue device... During the paddle, starting just after midnight, all of us separated. The convoy boat stayed with Pete and Wally. I moved on, alone. Finished alone, at Long Point.” Unfortunately for Tom, Pete and Wally, everyone on the escort boat Gloria H. ate whatever food was available on the way to Catalina. By the time the three paddlers reached the island, there was no food aboard to feed the weary ones. To make matters worse, despite their weakened condition, the convoy boat headed back for the mainland right after the finish of the race. All three paddlers were sick. Eventually, after getting back to Santa Monica and being congratulated, Tom could not even find a ride back home and had to walk back. About the value of the crossing as a promotion of the hollow board, “The L.A. County and S.M. guard services,” Tom noted, “installed them soon after.”

In culminating the event two weeks later, an article entitled “Guards Rewarded For Water Feat,” sub-titled “Mayor Pins Medals Upon Men Who Paddled to Catalina Island,” documented: “Paddling one’s way across 29 miles of windswept and tumultuous ocean is no mean feat, Santa Monica city officials and civic leaders believe, so the three lifeguards who made the dangerous trip on paddle boards last Sunday were awarded medals yesterday for their ‘courage and accomplishment’ in an impressive ceremony at the municipal auditorium. Band music, commendation speeches and the cheers of the crowd of onlookers made the presentation a colorful affair.”

Under a sub-heading titled “Without Parallel” the article went on to quote that: “‘It was an accomplishment without parallel in the world of aquatic sports,’ Dr. J.S. Kelsey, Jr., chairman of the beach commission declared, as he introduced Mayor William H. Carter, who, in turn, introduced the recipients of the medals and lauded their efforts.

“Tom Blake, club guard, who won the paddle board race; Lieut. Preston Peterson of the Santa Monica service, who made the second best time, and Lieut. Wally Burton, who arrived third, stepped up to the mayor, bowed slightly as they received the medals, and then stepped back to the chairs on the rostrum of the bandstand.” The day after the feat, “Gold, silver and bronze medals were ordered struck by the” Santa Monica “city council today for members of the Santa Monica lifeguard service who yesterday finished the world’s longest paddle board race by paddling from the mainland to Catalina Island.”

“‘The feat is destined to bring world wide renown to the Santa Monica lifeguard service,’” Dr. J.S. Kelsey declared. The short article ended by announcing that “Arrangements were made by the [Santa Monica City] council to have the Santa Monica municipal band… play at the celebration…”

A local Santa Monica newspaper featured two photographs of the winners, one on boards and the other receiving awards. “‘To the victors belong the spoils,’ city commissioners and civic leaders said,” printed the paper, “as they presented three Santa Monica lifeguards with medals and boards for the paddle board crossing of the 29-mile Catalina channel.” In the awards photo, Tom is referred to as “Guard.” Blake and is sporting a Santa Monica lifeguard jacket, the same as City of Santa Monica lifeguard Captain George Watkins, Lieutenant Pete Peterson and Lieutenant Wally Burton.

“Well, I didn’t see it exactly like that,” Wally Burton responded when told Tom did not consider the Catalina crossing a race but more an endurance test, “because we paddled constantly there, training for this thing. He along with Pete, myself and a guy named Chauncy Granstrom. There were four of us [who] were going to paddle over there; not as a race, but to see who could get there first. It was a competitive thing, really. And Tom was the best of the bunch of us, there was no doubt about it. He arrived there first. And Pete was second and I came in third. Chauncy refused to make the trip, so that’s the way that ended up.”

“We were more or less advertising that thing for Rogers. And it was my understanding at the time that we were actually trying to make the best times, all of us, all three of us. And, of course, Tom made the best time, Pete was second, I was third. There were only three of us that actually completed the paddle over there, but the time he made was pretty darn good.”

“That’s when Rogers began that deal,” Wally Burton remembered. “And from my memory, Rogers used to come down to the guard station there in Santa Monica. George [Watkins] and he would talk about how to make a board for rescue work. And how it ever came into being I don’t claim any knowledge about that accurately, but it seemed to me like he worked with George with this idea about having struts like in the wing of an aircraft, and making hollow. And the first ones he built had plugs in the end of them because they leaked so bad. Then we’d have to stand them up on end and let the water pour out of them, after we got through with using the board. And those that we paddled to the Island [Catalina] were actually of that type.”

“Well,” Wally Burton answered about how he felt after the Catalina paddle, “I’ll tell you, I was pretty pooped. At one time there [during the paddle], I thought, ‘I’m going to duck this whole thing.’ I got sick, seasick really, rolling around on that board. And the chop was such that you lay on your stomach for that length of time, or get on your knees a lot of the time and paddle. But I forget what the time was… I was sick and so was Tom. I’ve got pictures of Tom and myself on the boat, after we’d come in, there. We’re both sacked out in bed, and we’re both sick.”

Blake “told me,” Tommy Zahn wrote, “the Palos Verdes to Catalina paddle was arranged so that the seaworthiness of his newly patented board could be demonstrated (By the way, they all three paddled the Rogers ‘Model #1’). He won numerous races on the coast, but after the Ala Wai Canal, there was so much bitterness and hard feeling among the [Waikiki] locals (which persists to this day!) that he backed off. He was trying to make a living on the beach at the Outrigger Beach Services of the Outrigger Canoe Club. Tom… is a very sensitive person; a great competitor, without all the fury of the manifest ‘killer’ competitor. Tom had too much class for this. His method [was] simple: complete preparation and dedication in every aspect. In short, he accomplished what he had set out to do: establish his boards. He residualized some financial returns, as well as the satisfaction of the humanitarian rewards of inventing a piece of lifeguarding equipment that has rescued thousands.”




Thursday, April 16, 2020

Malibu: Tomol to Tubesteak


The history of Malibu, California, is a rich one going on into present day. This chapter in the LEGENDARY SURFERS collection -- originally written around in the late 1990s -- covers its earliest history, from the time of European contact on to the mid-1950s; a time many consider to be its “Golden Age.”

A small note: concerning some of the events during Malibu’s Golden Age. Depending on who was telling the story, when they told it and who they told it to -- details varied. I’ve kept all of the ones I know in, even though sometimes the stories conflict with one another... The gist of the stories remain.

 "You have it all. There's nothing better around; you did a lot of homework. It's great stuff; makes it seem like it was yesterday and not 43 years ago." 

-- Tubesteak's comments on this chapter, April 1999


Malibu crew, 1959 - Photographer unknown.

Contents


Introduction
Contents
Humaliwu
Malibu Battles
Malibu Riders 1926-41
Malibu’s War Riders
Simmons’ Testing Site
Brave New World
The Existential Outlaw
“Opai“ & “Tubesteak”
Malibu Surf Culture
Tubesteak Tutors Kemp
Gidget, the Girl Midget
Summer’s End 1956



Humaliwu


Originally home to the members of the Chumash and Gabrielino tribes, Malibu had been inhabited for approximately 7,000 years prior to European contact. The word “Malibu” is a corruption of the Chumash word Humaliwu, the name of the Chumash village located at the mouth of Malibu Canyon, near Malibu Point.1

The Chumash lived along the coast from Malibu to San Luis Obispo up the coast to the north. They also lived in the interior valleys of Santa Ynez, Cuyama, Santa Clara and Simi. The names of their most important villages are still on maps and part of the local culture: Saticoy, Somis, Sinil, Tapo, Sespe, Calleguas, Camulos, Piru, Mugu, Zuma, Cuyama, Cachuma, Ojai, and Matilija were all once Chumash villages.

There are no drawings in existence of the Chumash Indians in their native state. Fortunately, however, the Spanish diarists thought the Chumash superior to any other California tribes and happily wrote many vivid descriptions of them.

Juan Paez of the Cabrillo Expedition, wrote on October 10, 1542 after observing the Chumash:
“They were dressed in skins and wore their hair very long and tied up with long strings inter-woven with the hair, there being attached to the strings many gewgaws of flint, bone, and wood.”2

Father Pedro Font, diarist of the second expedition of Captain Juan Bautista de Anza, noted in 1776 the absence of clothing:

“The dress of the men is total nakedness. For adornment they are in the habit of wearing around the waist a string or other gewgaw which covers nothing. Some of them have the cartilage of the nose pierced, and all have the ears perforated with two large holes in which they wear little canes like two horns as thick as the little finger, in which they are accustomed to carry powder made of their wild tobacco. These Indians are well formed and of good TD although not very corpulent on account of their sweating, I judge. The women are fairly good looking.”3

The Chumash villages on the channel coast were usually built on high ground where a creek ran into the ocean. Thus, they had fresh water and a quick launching spot for their canoes. Friar Crespi with the Portola expedition in 1769 describes his first look at a village:

“We arrived at the shore where we saw a regular town, the most populous and best laid out of all we had seen on the journey up to the present time. It is situated on a tongue or point of land running out of the same beach.”4

This very well could be a description of Humaliwo, the Chumash village once located by the Malibu Lagoon.

“The houses are well constructed, round like an oven, spacious and fairly comfortable ; light enters through a hole in the roof.

“Their beds are on frames and they cover themselves with skins and shawls. In the middle of the floor they make a fire for cooking seeds, fish, and other foods -- for they eat everything boiled or roasted.”5

The finest technological achievement of the Chumash was the tomol, somewhat of a planked canoe with high sides. It was unique in the new world. Father Font in 1775 described the tomol:

“They are very carefully made of several planks which they work with no other tools but their shells and flints. They join them at the seams by sewing them with very strong thread which they have and fit the joints with pitch. Some of the launches are decorated with little shells and all are painted red with hematite.”6

The Chumash were excellent craftsmen and artists, and the goods and tools which they made were always well-fashioned. Particularly attractive were the bowls and carvings of killer whales and other forms of sea life and effigies made from steatite. Sometimes the bowls were inlaid with colorful abalone shells and were skillfully made. The steatite quarries nearest to Malibu were on Santa Catalina Island. The Island Chumash traded with the Coastal Chumash supplying the latter with chunks of steatite.

Other implements were made of sandstone, a material available everywhere. Stone grinding bowls up to six or seven quart capacity and a variety of mortars and pestles were common.

Baskets were the main household utensils and were indispensable in the gathering of seeds, bulbs, and roots. Water was stored and carried in basketry bottles ingeniously waterproofed on the inside with asphaltum. The baskets made by the Chumash were outstanding in workmanship and design. They were prized highly by the Spaniards and collected as curios to be sent home to relatives.

Asphaltum -- tar from natural crude oil seepages -- was indispensable to the Chumash. They used it in every phase of their life. With it they caulked their canoes, sealed the water baskets, attached the shell inlay to the bowls, and fastened arrow and spear points to shafts. Asphaltum was used to plug the holes in abalone shells which then could be used as dishes.

Fish hooks were made of abalone shell. The major use for the shell, however, was for decoration. It was lavishly inlaid on stone, bone, and wood. The surface to be decorated received a coating of asphalt onto which was pressed the shell inlay. Giant Pismo clams were used for beads and money.
Bone was used by the Chumash for many of their artifacts. It was extensively used in the making of necklaces, especially as long tubular beads. Flutes and whistles were made of bone, usually of deer tibia. Whalebone was used for many things: wedges to split wooden planks, bars to pry loose abalone, and sweat sticks to remove perspiration.

The Chumash made excellent string and rope from a variety of raw materials. Yucca fiber, which made a coarse but very strong cord, was plentiful and widely used. For a more pliable string, Indian hemp, nettle, or milkweed were employed. Flint, chert, and obsidian were used by the Chumash to make very fine projectile points, drills, scrapers, choppers, and knives. The countless thousands of tiny drilled shell beads that have been found, show the efficiency of the drills.7

The Chumash were one of the most advanced Indian groups in California and compare favorably with non-literate peoples anywhere in the world. With a village located “where the mountains meet the sea and the surf sounds loudly” at beautiful Humaliwu, we can only imagine what a paradise they had.

Did they surf? What people living along ocean beaches did not at least bodysurf? Did they use the tomols to ride waves? Possibly.



Malibu Battles


Following the area’s takeover by the Spanish in 1805, 13,316 acres of shoreline and adjacent mountain land were granted by the Spanish government to Jose Tapia, a former soldier. The land was included as part of what became Rancho Topanga Malibu Sequit.8

Frederick and May Rindge purchased the ranchland in 1887, following the American takeover from the Spanish.9 The Rindge family soon began an intense struggle with the new state of California to seclude Malibu by preventing construction of the intended public highway to run along the coast – what is now known as Highway 1, or the Coast Highway.10

“The story of Malibu is very interesting,” noted world champion surfer Nat Young, in his 1983 History of Surfing. “Rancho Malibu had been handed down to Rhoda May Ringe [sic] in 1905 when her husband Frederick died. She built her own railroad from the pier in Malibu to the northern end of her ranch at the Ventura County line. In 1926 Rhoda May Ringe was forced to give up.”11 Before she did so, she had gone as far as hiring armed guards to keep out trespassers and dynamiting highway construction attempts. She eventually exhausted her financial resources in court battles, which she lost. The state opened the highway through Malibu in 1929. First known as the Roosevelt Highway, it is now what we all know as “Highway 1,” or the Pacific Coast Highway (PCH).12

“She had fought a battle with the authorities,” continued Young, writing of Rhoda May Rindge, “for 17 years,” to preserve her 26 miles of coastal land, “had been ridiculed by the press for standing in the way of progress, and had gone four times to the California Supreme Court.” In the process, “She completely exhausted her considerable fortune.”13

What became known as the “Malibu Colony“ began when May Rindge began leasing her shoreline property to writers and entertainers. The exclusive community is now inhabited by movie stars, musicians and other celebrities.14 “It’s interesting to consider,” pondered Young, “that had [she] gone along with government access to her land she would probably have been able to keep her ranch and thus all the coastal land from Topanga to the Ventura County line.”15

It was at the end of Rhoda May Rindge‘s battle with the State of California, in September 1926, that Tom Blake and Sam Reid made their foray into Malibu to become the first surfers ever to ride the spot.16 



Malibu Riders 1926-41


Tom Blake started building surfboards in Santa Monica in the mid-1920s. One of the first people to own a Blake surfboard was Sam Reid.17 It was Reid and Blake who were the first ones to ride Malibu Point on September 1926.18

Sam Reid vividly recalled the day:

“Visualize, if you can, a beautiful September day in California. On this day, the first wave was ridden at what was then Malibu Ranch, stretching from Las Flores Canyon to Oxnard, and owned by Samuel K. Rhindge [sic]. The coast hiway was then a two lane road, dirt most of the way. Tom Blake had stopped by the Santa Monica Swimming Club to pick me up. In those days, cowboys with guns and rifles still rode the Malibu Ranch, and the gate at Las Flores Canyon had a ‘Forbidden -- No Trespassing’ sign on it. We took our 10’ redwoods out of the Essex rumble seat and paddled the mile to a beautiful white crescent-shaped beach that didn’t have a foot print on it. No buildings and, of course, no pier! There was no audience but the seagulls.”19

Tom Blake recalled that, “the Malibu Ranch had recently opened-up. Sam and I drove up there. The road was black topped. I had previously noted surf there. The day we arrived, the waves were about 3’ high. The area was deserted except for seagulls and pelicans and the Rhindge house. To be the first to ride it, I caught a 3-foot wave. We played around in it for an hour or so. Real exclusive riding.”20

The boards ridden that day were of varnished solid California redwood. A rockerless plank, Reid’s board dimensions were 10’ 1” x 22”. The nose was later laminated with post World War II fiberglass and is on display at the Santa Cruz Surfing Museum.21

By the following year, additional surfers were joining in what Malibu had to offer. “In 1927,” confirmed Charles “Chuck A Luck” Ehlers, “Dilly Perrine and Spud Moorman head about surfing at Malibu. We three rode in a rumble seat car with 3 boards sticking out. We met Tom Blake and Cliff Tucker from Redondo while in Malibu riding perfect, long right slides on glassy water with very sharp peaks. We left early, for it was a narrow road and a long way to home.”22

Thereafter -- and documented in Doc Ball‘s Early California Surfriders printed in 1946 -- surfers periodically surfed Malibu, even during the era when San Onofre had become Mainland surfing’s center.



Malibu’s War Riders


World War II turned surfing upside down. Following the war, the personnel on the breaks significantly changed. More importantly, wartime technology caused a shift of the center from San O – between Los Angeles and San Diego -- to Malibu, just slightly north of LA.

Those surfing Malibu before, during and after World War II included Gard Chapin, Bob Simmons, Bud Morrisey, Dave Sykes, Pete Peterson, Dale Velzy, Don Grannis, Dave Rochlen, Joe Quigg, Joe Schecter and kids like Matt Kivlin, Kit Horn, Buzzy Trent, and Peter and Corny Cole.

Chapin, Morrisey and Sykes formed an early shaping triumvirate at the ‘Bu. Bud Morrisey was a down-the-line shaper who was considered by many to be the first to walk the board at Malibu. Dave Sykes lived in Topanga and “delighted in perfect planing surfaces,” documented Leonard Lueras, “and placed 15 layers of hand rubbed lacquer over his boards creating a hard shelled outer surface many years before the discovery of fiberglass and resin.”23

Gard Chapin was a gifted surfer/shaper who turned and cut in an era when almost everyone else just trimmed. His verbal abuse tended to alienate most people, though. Things started to get interesting when Bob Simmons, a relatively unknown surfer, teamed up with the well respected but not greatly liked Chapin. Simmons bought his first surfboard from Chapin and eventually went to work in the Chapin wood shop. There, Simmons learned how to build boards.24

Kit Horn was a youngster at Malibu during the early days of World War II. He remembered the first time Simmons showed up. He swam a huge board out, with his left arm on the board. Simmons was 8-to-10 years older than the kids at Malibu. Most everyone his own age was either in the military or in production during the daytime.25

By 1944, Simmons was already making a name for himself as a wave rider, despite a physical handicap related to one of his arms. Joe Quigg, on leave in the summer of 1944, recalled years later:

“I was in the Navy during the war,” retold Quigg, “and I came home to Santa Monica on leave that year. Right after I got home, I drove up to Malibu to surf, and though the waves were good that day, there were only three guys out. One was a guy with a withered arm named Bob Simmons, and the other two were kids named Buzzy Trent and Matt Kivlin.”26

Matt Kivlin had just been introduced to surfing by the husband of his mom’s sister. Preston “Pete” Peterson introduced the 14 year-old from Santa Monica to the wonders of Malibu on or around July 2, 1944.27 Peterson was the greatest all-round surfer of the 1930s. He was still a standout in the 1940s and continued to excel on into the 1960s. A memorable moment surfing Malibu was captured by C.R. Stecyk in a fanciful retelling of a moment on or around September 6, 1944:

“A ruler edged rolling seven foot south caresses the empty point. Pete Peterson gazes longingly at the surf through the barbed wire enclosure which surrounds the Malibu Point Coast Guard facility. This government base is guarded 24 hours a day and impenetrable. Peterson resolves to go elsewhere and turns to leave when he spies a lone surfer eagerly running up the point. Dale Velzy, the patriot, has somehow convinced the base commander to honor his merchant seaman’s papers as an access pass to the surf. Pete is incensed... after all, at least when Don Grannis surfed there he was stationed there... but this was an outrage. Peterson waves at Velzy and leaves laughing, admiring the Hawk‘s superior artistry. Following his go-out, Dale manages to enjoy a sumptuous repast of roast beef and ice tea, courtesy of the base mess hall. Not bad in an era of severe rationing.”28



Simmons’ Testing Site


After World War II ended, many of the technological developments used to help win the war came out on the open market. “Most important to Simmons and the surfboard,” wrote Bob Simmons biographer John Elwell, “was a publication by one of the finest US naval architects, Lindsey Lord, a PHD from MIT who did an intensive study on planing hulls. Most of the work was done in Hawaii, with the initial phases using simple shapes looking like bodyboards. Surfboards were used also. Simmons had somehow acquired a copy. Lord’s study was remarkable. The Navy had sought an ideal width and length shape for quick lift, maneuverability and speed. Lord maintained the study was solid information and a new, not previously known, naval science.

“Simmons must have been delighted. The book was full of graphs, complex equations and recommended a new material to strengthen lightweight planing hulls; fiberglass and resin. The form developed was simple parallelism, with an ideal length-width ratio number called aspect ratio, used in wing design…

“One of the problems, Lord relates, concerned the ideal shape. It was not attractive, but could be. He mentions that pointed sterns produce the most drag, extreme lightness is dangerous, and planing hulls are complex. He warned that a few weird things work, but don’t be fooled… everything modified to get something else… is a compromise. All things were considered and applied for the ultimate goal of superlative speed; such as the nature of water, skimming on it, Newton’s Laws, Bernoulli’s Law of Lift, resistance, load, attack angles, rudder designs and center of gravity. The book was the mother lode for Simmons. Many surfers saw it in Simmons’ possession, but couldn’t understand it, much less apply it to surfboards. Simmons told me he went to a boat show and a salesman for fiberglass showed him the material and described its application and use. He located an outlet and purchased the material downtown. He was quite matter of fact about it. The materials were being marketed all over the country.”29

At this point, both a decisive technological advance took place and things got ugly. A little while after getting his hands on Lord’s planing hulls study, both Simmons and Chapin were modifying their planks with nose applications of fiberglass. Out in the surf, they were overtaking and passing everyone else, “proclaiming planning hull design,” Elwell wrote. “Those who got in the way and did not heed their abusive warnings were rammed. Chapin evidently got away with it. Simmons was dunked and beaten up in Malibu, punched down at San Onofre and stoned on the trail to Palos Verdes Cove. He returned in the evening with an axe” and drove it into some paddleboards that were lying around; ostensibly belonging to the stoners. “Vandalism to the boards on his car by Palos Verdes surfers occurred in retaliation.”30 It’s interesting to note that Mickey Dora, who became well-known for shoving people out of his way later on at Malibu, may have learned his attitude from his step father Gard and Bob Simmons.

Surfers who were open to Simmons’ first significant contribution to surfing -- the scarfed nose -- acknowledged that the nose lift helped keep boards from pearling. “As you can see by the photographs of that era,” notes Nat Young, “many surfers were reluctant to give up their old San Onofre-type boards.” Those who saw the wisdom in Simmons’ modifications would have him “scarf another piece on the nose and fair it in to create nose lift.”31

“If anybody was ever to get the credit of being the ‘Father of the Modern Surfboard,” Rennie Yater told me, “I would say it would have to be Simmons. He changed board design in a shorter period of time than anybody has before or since. When his boards started showing up at San Onofre, they couldn’t believe it. Such a traditional place. Everything had to look the same, ride the same, pose the same... Simmons’ boards weren’t welcome at San Onofre. See, his influence was more at Malibu. He could care less about the San Onofre area. He always went up and tested his stuff at Malibu or Palos Verdes Cove...

“To go back a little farther, Simmons worked for Gard Chapin. He had a garage door business, as I remember. So, Simmons had access to a lot of different materials. They used plywood a lot for garage doors. Simmons finally came up with this -- probably the first production line other than Pacific Systems -- the first production line surfboard that had a foam [expanded polystyrene] core, balsawood rails, and plywood deck. He came up with that idea probably because of all the influence he had from plywood... mahogany veneers on the outside to get them even lighter. He did incredible things for the time he did ‘em in, compared to today. He’s also fortunate to come out of the Second World War. Fiberglass was a revolutionary product to come out of the war. See, here comes this material on the open market. So, he now had access to that.”32

In addition to Simmons’ untimely death in 1954, Simmons had a falling out with Quigg and Kivlin over their development of what would become known as “The Malibu Board.” As a result, he suddenly closed up his Santa Monica shop and moved down to Imperial Beach in 1950.

His move down south marked the beginning of the end of the “Simmons Era.”33 Rennie Yater recalled, “Simmons went on down to live in Imperial Beach. People kind of forgot about him after he left the Malibu testing grounds. Surfboard evolution went on, but surfboards weren’t as radical. They were pretty conservative; with natural rocker, the way balsa wood came; with about an inch of deck rocker, with very little heavy rocker in the bottom of the board. That went on for a long time, into the Velzy era and Hobie era; didn’t change much at all ‘till foam came around. Then, you weren’t restricted by the dimensions of balsa wood. Even the balsa wood boards didn’t have much rocker, except for the ones in Hawaii, where they started to put kick in the nose because of the big waves.”34

“Simmons was like a missionary who traveled the coast promoting his ideas,” recalled Joe Quigg. “He was a catalyst for all of us. I loved Bob Simmons and deeply wish he was here, I miss talking to him. Matt and I both built boards with Simmons and occasionally he’d get upset over how we did things or the personal boards we’d build. My concepts deviated from Bob’s so much that there was a time when he quit speaking to me. If we did anything, we helped evolve a board that worked all around. The Malibu boards weren’t San Onofre boards nor were they planks or hot curls. One thing is certain, after we pulled in the tails, got the weight down and the fins right, no one ever built monolithic planks again.”35



Brave New World


“The wartime use of technology… sowed seeds for great change in post-war America,” wrote Solberg and Morris in A People’s Heritage. New technologies “also profoundly changed post-war America. Such innovative developments as radar, prefabricated housing, atomic power, frozen foods, diesel power, and the catalytic cracking of crude oil were crucial to military success and contributed to an abundant life in years of peace.”36 Fiberglass and resin could be added to this list.

“The brave new world dangling before them promised the world’s highest living standard,” continued Solberg and Morris, “and they pursued it with a vengeance. America was now in the midst of what has been called ‘galloping capitalism‘; in just a few years, the U.S. was producing half of the world’s goods… After years of austerity caused by the depression and the war, Americans eagerly revived their spending spree of the 1920s…

“Nowhere was the surge of spending more evident than in the American love affair with the automobile… [amongst other effects, both positive and negative was that] more than one-fourth of Los Angeles‘ 463 square miles came to be occupied by asphalt: streets, freeways, bridges, ramps, overpasses, gas stations, garages, and parking lots.” 37

The American Dream finally seemed to be within the grasp of ordinary citizens. “After World War II the home became child-centered,” Solberg and Morris went on. “The age of first-married was plummeting, and family size was on the rise. One sociological study reported in the late 1940s that 55,000 married men reached 137,000 sexual climaxes weekly, resulting in an impregnated wife every seven seconds… In 1954 McCall’s coined the word ‘togetherness’ to describe the new commitment to a close family life centered around children… America was becoming the Land of the Young.” 38

“The high priest of this new child-centered suburban society,” continued Solberg and Morris, “was the renowned pediatrician Benjamin Spock, whose book Baby and Child Care, first published in 1945, revolutionized the philosophy of rearing children. Insecure as they faced the uncertainties of a rapidly-changing world, young parents nervously thumbed through Dr. Spock’s handbook for advice on everything from breast-feeding to childhood diseases. In his chapter on ‘permissiveness,’ Spock counseled: ‘Doctors who use to conscientiously warn young parents against spoiling are now encouraging them to meet their baby’s needs, not only for food, but for comfort and loving.’ No longer would strict rules and nursing schedules be prescribed for infants; kids should not be told what to do. Guilt-ridden parents who had experienced the deprivation of the depression and the war were determined that their offspring should have opportunities denied them during their childhood. Consequently, a permissive spirit dominated the white, middle-class home during the post-war years. Pampered youth became a powerful bloc of consumers, spending billions of dollars for faddish fashions, dominating 43 percent of phonograph record sales, and 53 percent of movie admissions. Earlier values like thrift were casually discarded as American teenagers spent one-third of a billion dollars annually on toiletries. This permissiveness was also reflected in the schools… This cult of the young spawned a generation of Americans… [that] came to be called the ‘silent generation.’ Whereas generations of the thirties and forties had held to sturdy social values from their youth, their self-confidence or ‘inner-directedness’ gave way after World War II to an anxious generation no longer sure of itself. Memories of the Depression, and fear of Communism and the atomic bomb (‘better dead than red‘) contributed to this mood. Safety and security seemed to be the new norms. In his book The Lonely Crowd sociologist David Riesman now spoke of ‘other-directedness,’ whereby the driving need was to avoid ‘rocking the boat,’ and instead, to conform to the group. Eager for the approval of others, young people were as sedate and conservative in their values as their parents. One observer wrote that the ‘dedication of bourgeois America to personal security’ had produced ‘a generation with strongly middle-aged values.’” 39



The Existential Outlaw


In among the conformists and the rest of the Silent Generation, surfers didn’t quite fit in. Although traditional Hawaiian surfing had been thoroughly integrated in that society prior to European contact, the surf culture that came over from Hawaii after surfing’s revival at the beginning of the century was outside mainstream America. Mainland surfing in the 1920s and ‘30s attracted rogues, rascals and rebels. This trend continued through the 1940s and on into the 1950s, even though the nature of American society had significantly changed from the Depression to the affluent conformity of the 1950s. By the mid-1950s, surfers were still often called “surf bums“ and categorized with the other non-conformists of the era.

“During the 1950s,” agreed Carin Crawford, in “Waves of Transformation,” a 1993 paper on Southern California’s surf culture in the post-World War II period, “the economic forces unleashed by post-World War II development produced an affluent, disenchanted youth population which included beatniks, surfers, and rebels without a cause.” 40

Historian James Gilbert, in A Cycle of Outrage: America’s Reaction to the Juvenile Delinquent in the 1950s, introduced the concept of the “existential outlaw“ – which surfers could be classified as -- emerging in the 1950s.

Bob Simmons was one of surfing’s foremost “existenial outlaws” of the post-World War II period. 

“Simmons was an anomaly in a society generally characterized by ‘organization men’ who were motivated by the promises of affluence and professional development,” Crawford continued. 

“Simmons’ love for surfing always made him an unreliable participant in the cold war’s notion of responsibility to professionalism and domestic security. Simmons would quit work when the surf came up and live in his car, travelling to various breaks between Malibu and Baja California. Bob Simmons’ passion can be seen as an avenue of escape from the stifling ‘conformity‘ of the 1950s.”41

With real insight, author John Grissim wrote that, “surfers of this era possessed... a maverick spirit, combined with a commitment to having fun,” which, “pervaded the surfing community. ‘Surfer’ suggested a natural bohemianism, an outlaw subculture that was daring, adventurous, sexy, and, if not exactly illegal, at least on occasion illicit. As important, these early veterans were tough, solid, and tested -- tested by waves as much as war.”42

The best cinematic portrayals of the existential outlaw, of course, were in the works of James Dean and Marlon Brando. Dean personified this image in Rebel Without A Cause (1955). Two years before, in The Wild One (1953), Brando depicted youthful rebellion in the image of outlaw packs of motorcycle hoods modeled after the Hell’s Angels. “The emergence of the figure of the ‘existential outlaw’ in Hollywood films,” continued Crawford, “takes place against a background of popular writing and argument about the nature and degree of ‘conformity‘ within the dominant social structure of that period.” 43



“Opai“ & “Tubesteak”


“Two of the most best known surfing places in the Cold War era,” continued Crawford in her study, “were the beaches at Malibu and San Onofre. Interviews with representative members of these surfing enclaves provide a picture of how Southern California surf culture came to be located within the discourse about conformity, work and leisure that was taking place during the 1950s. Tom Wert and Terry Tracey, better known locally by their nomes de surf, ‘Opai‘ and ‘Tubesteak,’ describe themselves as a type of outlaw, or ‘rebels without a cause’ who built shacks on the beach, avoided military conscription, and spent more time surfing than pursuing career goals. In society’s view they were ‘surf bums.’” 44

“Opai,” Crawford wrote, “recalled that in the 1930s, before the Cold War, surfers were not considered counter cultural icons. Early surfers were known as ‘watermen,’ or people who had a multi-dimensional relationship with the ocean: swimming, diving, fishing, boating, and beachcombing. ‘Watermen’ lived by the ocean and had an intimate knowledge of tides, currents, and weather patterns because their livelihoods usually depended upon it. Before the era of wetsuits and the surfboard industry, Opai’s generation surfed in cutoff Levi’s and handcrafted their own surfboards. It was during the post World War II period that surfers came to symbolize a ‘laid-back’ style of life that contrasted with the affluence, anxiety, and consumer contentment of the early Cold War era. Opai states: ‘Surfers evolved into a countercultural James Dean sort of thing, a sign that you were different.’ According to Opai, this identity lasted till the late 1950s, when, he felt, commercialization started to obscure surfing’s subversive meaning.” 45

As for Terry “Tubesteak“ Tracey, he later held other nicknames like “Kahuna“ and “Pit Commander.” Interviewed in 1993 by Matt Warshaw for his 1998 book Above The Roar: 50 Surfer Interviews, Tubesteak told how he got his nickname: “One summer I was really broke, so I got a job across the street, right next to the Malibu Inn, at a place called Tube’s Steak and Lobster House. And people would say to me, ‘Hey, you still at Tube’s Steak?’ Then it just went to Tubesteak. But people have always been confused about what it meant. A lot of people think that Tubesteak meant… ah, some kind of cylindrical piece of meat.”46

“Tubesteak,” Crawford wrote, “whose hero and mentor Opai represented the ‘older’ generation of surfers at San Onofre, rode his first waves there in 1950 when he was 15 years old. Tubesteak recalled “seeing these old Sourdoughs out of the army on the beach surfing and playing ukelele.” The romance of San Onofre’s scene captured Tubesteak’s imagination. Later, he went to Malibu, along with surfing partners Mickey ‘Da Cat’ Dora, Mickey Munoz, and Kemp Aaberg and attempted to recreate at Malibu the atmosphere they admired on the beach at San Onofre.” 47

Yet, this may not be entirely correct. When interviewed in 1993, at the age of 59, Tubesteak sounded a bit contemptuous of the San Onofre lifestyle and its surfers. He certainly held much pride over the Malibu lifestyle over the traditional San Onofre. Warshaw asked him:

“Did the Malibu guys spend any time with, say, the San Onofre guys?”

“No,” Tubesteak replied. “That Sano thing – it’s archaic now and it was archaic then. That group hasn’t changed. Just sitting around with their ukuleles and the Hawaiian music. Nah. Malibu was the place.” 48

“Before Tubesteak became dedicated to a surfing life-style on the beach at Malibu,” Crawford wrote, “he attempted to follow the more conventional path of working as an underwriter for Home Insurance Co. Tubesteak (19 at the time), described how he and Mickey Dora clashed with ‘all these Spring Street executives, the Wilshire Blvd., Pacific Stock Exchange types.’ After a couple of miserable days on the job, both young men were fired from Home Insurance Co.” 49

“It was after this adventure in social conformity,” Crawford continued, “that Tubesteak became a full time surfer. Broke and unemployed, the night after he was fired from his job, Tubesteak decided to sleep on the beach at Malibu. The next day he hiked up Malibu creek with his surfboard, collected palm fronds, and floated them down stream using the surfboard as a barge. With help from friends, he built a beach shack, and fashioned a way of life at Malibu that was radically different from the image of life centered in the Gold Medallion home.” 50

Tubesteak was asked about his living at First Point. How long?

“For thee or four months a year, in summer,” Tracey answered. “Actually, there were two shacks. The first one got burned down; the cops tore the second one apart in 1957. In the winter I lived in Santa Monica canyon, at a place called the Sip ‘n Surf.” 51

“Tubesteak,” Crawford wrote, “commenting generally about surfers’ attempts at social conformity, suggests that ‘surfers tried to do what people wanted them to do, but they didn’t fit in.’ ‘We didn’t care about money; it didn’t cost money to live on [the] beach.’ Tubesteak and others spent summers living on the beach, but during the winter months when the weather was too cold, they got jobs like the ‘jerks with expensive suits.’” 52

“Tubesteak recalled that during the 1940s [after World War II] and 1950s,” continued Crawford, “surfers did everything possible to stay out of the draft. However, their resistance was not for ideological reasons, ‘they just wanted to go surfing.’ In the summer of 1956, Tubesteak recalled ‘the Feds were after me,’ so he had to fly to Arizona for a military physical exam. Because of the calcium deposits which formed on his feet and kneecaps from prolonged kneeling on a surfboard, Tubesteak was unable to wear shoes. He was declared ineligible for the draft, and went back to the beach in Malibu. Tubesteak’s story sparked Opai‘s recollection that ‘a lot of surfers actively cultivated surf bumps’ and many successfully evaded the draft ‘with all kinds of subterfuges.’ However, Opai remembers there was no political coherence to their resistance to the draft, the surfers just wanted to stay on the beach.” 53



Malibu Surf Culture


By the end of the 1950s, the surf culture that developed at Malibu became popularized in Gidget, the 1957 book and, then, the 1959 movie. Yet, by the time Frederick Kohner started writing about some of it, the lifestyle at Malibu was already well established. In the minds of many who were there, the real glory days for Malibu was during the mid-1950s, before its popularization at the end of the decade.

“A new breed of American beach boys developed,” is the way Nat Young put it, “a sort of later equivalent of the Hawaiian beach boys who had become professional surfers in the years before World War II. The new breed spent their time lifeguarding, surfing and just having fun; music, parties, waves, boards, girlfriends. They began wearing brightly colored baggie trunks and, in winter, wetsuits developed from Navy frogmen’s outfits. There was little smog in those days, huge kelp beds just off the Californian coast kept the waves glassy much of the time, and surfers found they could surf all year round. It wasn’t long before surfing had developed from sport to culture to -- cult.”54

The epicenter of American surf culture had clearly shifted from San Onofre to Malibu.



Tubesteak Tutors Kemp


“A goofy foot struggles to learn to surf at Malibu by attempting to ride the entire wave from outside to inside in an awkward, backslide stink bug squat,” wrote Craig Stecyk of a notable day in Malibu history, on or around May 21, 1956. “Watching this painful exercise is more than Tubesteak can tolerate, so he invites the earnest lad into his own private barb wire fenced beach domain and offers a few words of advice, ‘Look kid, when you ride a wave that’s a perfect right slide, I think your life would be a lot easier if you turned and faced the wave.’ Enough said, the youngster immediately made the switch. Following this reorientation, Kemp Aaberg becomes one of the consummate point stylists and is forever after welcomed to join the other elite inside the fence.”55



Gidget, the Girl Midget


June 27, 1956 was a day destined to change Malibu history forever. This day, a girl who wanted to surf, made her way into the Malibu domain where she was acknowledged almost immediately.56
“Probably it was the Gidget movies, books and magazines,” suggested Young, “that did as much as anything to bring surfing to the masses. Malibu had become a prestige area, and many sons and daughters of the wealthy people who lived along the coast became involved in surfing... and the ‘surfers’ who went with it. At the time these included Dewey Weber, Mickey Munoz, Kemp Aaberg, Bob Cooper, Mike Doyle, Jim Fisher, Micky Dora, Johnny Fain, Tom Morey, Robert Patterson and ‘Tubesteak.’” 57

“I remember the first time Gidget came down the stairs at Malibu,” wrote Mike Doyle. “She was only about five feet tall, weighed less than a hundred pounds, and was carrying a borrowed surfboard that was so big, one end of it was dragging in the sand. She really caught our eye because there weren’t a lot of girl surfers then. Tubesteak said, ‘Gee, here comes a girl.’

“Somebody else said, ‘God, she looks like a midget to me.’

“‘Yeah, a girl midget – a gidget.’

“Somebody else started giving her a hard time, saying ‘Whatta ya think you’re doing? Don’t you know girls can’t surf?’

“Gidget (whose real name was Kathy Kohner) stopped halfway down the stairs, practically in tears. Tubesteak, who had a soft heart and needed a girlfriend, went over and said, ‘Hey, it’s okay if you surf. Come on down.’”58

So, Tubesteak was the guy who first named Gidget. “According to Tubesteak himself,” wrote Young, “about the last week in June 1956 he, Mickey Munoz and Micky Dora were standing on the incline above Malibu, checking out the waves, when a young surfer in a baby-blue ski parka pulled a new Velzy/Jacobs board from the rear of a Buick convertible and headed off down the path.

“‘Hey,’ shouted Dora, hassling the new arrival. ‘Go back to the valley, you kook!’ shouted Munoz. The stranger got such a shock she stumbled and the board tumbled to the rocks below. Tubesteak told the others to shut up and went to help and discovered the new arrival was a girl. A very short girl!

“‘For Chrissake,’ mumbled Tubesteak, ‘it’s a midget, a girl midget, a goddamn gidget!’

“The girl was not amused. ‘I’m not a gidget,’ she yelled. ‘My name is Kathryn -- and you can keep your filthy hands off me, you creep.’

“Tubesteak laughed. ‘Hey Gidget, see you around.’“59

“Gidget never did become a very good surfer,” Doyle noted, “but she learned to take our roasting in good humor, and eventually she was accepted into the crowd because all of us could appreciate somebody who tried as hard as she did. Like me and a few others in that Malibu crowd, Gidget was the kind of person who didn’t really fit in back in her own neighborhood, but instead of feeling sorry for herself, she bought an old Buick convertible and a surfboard, and found her way to the beach. I really admired her for that.

“I thought Gidget was cute: She had dark hair, fair skin, and nice legs. One day I told Gidget that the board she had was way too big for her, that she would have an easier time learning to surf if she used a smaller board. She asked me what kind of board she needed, and I said, ‘Why don’t you let me find one for you.’ After looking around, I found a board that was just right for her. I got her a deal on it, too: fifteen dollars. Gidget and I became friends after that. I’d take her to the movies or just for a walk along the beach. But there were other guys taking her out during the same time, so we never had anything very serious going.” 60

“That,” wrote Young of Tubesteak‘s reception of Gidget into the Malibu fold, “was a statement which was to mean more than Tubesteak thought. Kathryn’s father was a writer, and he wrote a book about his daughter’s summer adventure which became a bestseller. Columbia made the first of its Gidget movies, glamorizing the West Coast surfing life, and suddenly [after 1959] everyone seemed to be going surfing. It was the ‘in’ thing to do. [But} By the summer of 1956 the surfing craze was in [a more natural, eveolutionary stage of] high gear. Surfers had built the two famous grass shacks at Malibu which appear in the Gidget films, one in the pit and another out on the point. The offshore santana winds blew regularly all that summer and there was a consistent glassy swell. It was a time when Dora could be seen flying across the face of a five-foot wall, executing a perfect ‘el spontaneo‘ while the crowd on the beach went wild. Munoz might be next up with an immaculate Quasimodo, followed by Cooper with an ‘el telephono‘ from point to the pit. And then came the first annual luau.”61


Gidget and the Malibu crew, 1959 - Photographer unknown.



Summer’s End 1956


“It was the end of summer,” wrote Nat Young, “first Monday in September, and everyone who surfed in California seemed to have heard about the party. All the regulars came, plus Mike Diffenderfer, L.J. Richards, Ole, Jack Haley, Hap Jacobs, Allan Gomes, Chick Edmondson, Hobie, Hynson, Rusty Miller (later to settle down at Byron Bay on Australia’s east coast), Tim Dorsey and Robert August. The air was filled with good vibes and loud music. A bonfire was lit, and out of one of the Malibu grass shacks came the legendary ‘surfer girls’: the gorgeous Linda Benson, luscious Juicy Lucy, ravishing Ramona from Pomona, and then Sally from the Valley, Marion the Librarian and finally, to the most applause, Shirley from Temple city, Gidget and Mandos Mary. Tubesteak put a torch to the grass shacks. The first annual luau was drawing to a close and so was an era in American surfing.”62




1  California Coastal Resource Guide, published by The California Coastal Commission and the State of California, ©1987, University of California Press, Berkeley, CA, p. 282
2  Paez, Juan, Cabrillo Expedition, October 10, 1542.
3  Father Pedro Font, second expedition of Captain Juan Bautista de Anza, 1776.
4  Friar Crespi, Portola expedition, 1769.
5  Friar Crespi, Portola expedition, 1769.
6  Father Pedro Font, second expedition of Captain Juan Bautista de Anza, 1775.
7  May, Frederick C., Malibu Lagoon Museum Book, date unknown.
8  California Coastal Resource Guide, published by The California Coastal Commission and the State of California, ©1987, University of California Press, Berkeley, CA, p. 282
9  California Coastal Resource Guide, 1987, p. 282
10  Young, 1983, p. 49.
11  Young, 1983, p. 49.
12  California Coastal Resource Guide, p. 282.
13  Young, 1983, p. 49.
14  California Coastal Resource Guide, p. 282.
15  Young, 1983, p. 49.
16  See Gault-Williams, “Tom Blake.” Much of this section duplicated from the same section in Blake.
17  See photograph of Sam Reid and Tom Blake, on the sand at the Santa Monica Swimming Club, 1925. The Santa Monica Heritage Museum Archives, courtesy of Mitchell Lachman.
18  See Gault-Williams, Malcolm. “The Redwood Era,” Volume 1 of LEGENDARY SURFERS for additional details on the first Malibu surf session and the contributions of Sam Reid.
19  Santa Monica Heritage Museum, “Cowabunga!” exhibit, February 1994. See also Young, 1983, p. 49. He has them (incorrectly) walking “a couple of miles from the end of the coast road” and the boards at 10’ x 18”.
20  Santa Cruz Surfing Museum, courtesy Leslie Smid, Santa Cruz.
21  Santa Monica Heritage Museum exhibit, “Cowabunga!” February 1994.
22  Ehlers, Charles (“Chuck A Luck”). “Log Jam 1922,” The Surfer’s Journal, Volume 1, Number 2, Summer 1992, p.44. See article for some classic photos.
23   Grissim, John. Pure Stoke, ©1982, Harper and Row, New York, p. 20. Dave Rochlen quoted.
24   Grissim, John. Pure Stoke, ©1982, Harper and Row, New York, p. 20. Dave Rochlen quoted.
25   Elwell, 1994, p. 36.
26  Lueras, 1984, p. 111. Joe Quigg.
27  Stecyk, “Humaliwu,” 1992, p. 36.
28  Surfer, Volume 33, Number 12. Researched by C.R. Stecyk, p. 40.
29  Elwell, 1994, p. 39. See also Gault-Williams, “Bob Simmons & Modern Surfboard Evolution.”
30  Elwell, 1994, p. 39.
31   Young, 1983, p. 61. Young has the “scarfed nose lift” as Simmons’ “most significant contribution.”
32  Gault-Williams, Malcolm. Interview with Rennie Yater, March 24, 1994. This section duplicated in Gault-Williams, “Rennie Yater.”
33  Lueras, 1984, p. 114.
34  Gault-Williams, Malcolm. Interview with Rennie Yater, March 24, 1994. This section duplicated in Gault-Williams, “Rennie Yater.”
35  Stecyk, Craig. “Perpetual Musings,” The Surfer’s Journal, Volume 5, Number 2, Summer 1996. Joe Quigg, circa 1995.
36  Solberg and Morris. A People’s Heritage, ©1984, p. 180.
37  Solberg and Morris. A People’s Heritage, ©1984, pp. 180-182.
38  Solberg and Morris. A People’s Heritage, ©1984, pp. 182-184.
39  Solberg and Morris. A People’s Heritage, ©1984, p. 184.
40  Crawford, Carin. “Waves of Transformation,” 1993, Internet version at http://facs.scripps.edu/surf/waves.html. Email address of author: carin_crawford@qm.salk.edu.
41  Crawford, Carin. “Waves of Transformation,” 1993, Internet version at http://facs.scripps.edu/surf/waves.html. Email address of author: carin_crawford@qm.salk.edu.
42   Grissim, 1982, p. 23.
43  Crawford, Carin. “Waves of Transformation,” 1993, Internet version at http://facs.scripps.edu/surf/waves.html. Email address of author: carin_crawford@qm.salk.edu.
44  Crawford, Carin. “Waves of Transformation,” 1993, Internet version at http://facs.scripps.edu/surf/waves.html. Email address of author: carin_crawford@qm.salk.edu.
45  Crawford, Carin. “Waves of Transformation,” 1993, Internet version at http://facs.scripps.edu/surf/waves.html. Email address of author: carin_crawford@qm.salk.edu. Opai quoted.
46  Warshaw, Matt. “Tubesteak: Above The Roar,” interview done in 1993, excerpt from Above The Roar, printed in Surfer, Volume 39, Number 1, January 1998, p. 58.
47  Crawford, Carin. “Waves of Transformation,” 1993, Internet version at http://facs.scripps.edu/surf/waves.html. Email address of author: carin_crawford@qm.salk.edu. Tubesteak quoted.
48  Warshaw, Matt. “Tubesteak: Above The Roar,” interview done in 1993, excerpt from Above The Roar, printed in Surfer, Volume 39, Number 1, January 1998, p. 58.
49  Crawford, Carin. “Waves of Transformation,” 1993, Internet version at http://facs.scripps.edu/surf/waves.html. Email address of author: carin_crawford@qm.salk.edu. Tubesteak quoted.
50  Crawford, Carin. “Waves of Transformation,” 1993, Internet version at http://facs.scripps.edu/surf/waves.html. Email address of author: carin_crawford@qm.salk.edu. Tubesteak quoted.
51  Warshaw, Matt. “Tubesteak: Above The Roar,” interview done in 1993, excerpt from Above The Roar, printed in Surfer, Volume 39, Number 1, January 1998, p. 58.
52  Crawford, Carin. “Waves of Transformation,” 1993, Internet version at http://facs.scripps.edu/surf/waves.html. Email address of author: carin_crawford@qm.salk.edu. Tubesteak quoted.
54  Young, Nat. The History of Surfing, ©1983, 1987 by Nat Young, Palm Beach Press, 40 Ocean Road, Palm Beach, NSW 2108, Australia, p. 82.
55  The Surfer’s Jounrnal, Volume 1, Number 3. Short snippets of surf history by C.R. Stecyk, p. 54.
56  The Surfer’s Jounrnal, Volume 1, Number 3, C.R. Stecyk, p. 42.
57  Young, 1983, p. 82. Terry “Tubesteak“ Tracey’s recollection. See also C.R. Stecyk‘s version in The Surfer’s Journal, Volume 1, Number 3, p. 42. He pin-points the event as June 27, 1956, but has Gidget‘s board as “an oversized beater balsa board.”
58  Doyle, Mike. Morning Glass, ©1993, pp. 35-36.
59  Young, 1983, p. 82. Terry “Tubesteak“ Tracey’s recollection. As Young got this information second-hand, it’s probably the least accurate of the recollections of the event entered here. See also C.R. Stecyk‘s version in The Surfer’s Journal, Volume 1, Number 3, p. 42. Stecyk’s recollections are closer to Doyle’s.
60  Doyle, Mike. Morning Glass, ©1993, p. 36.
61  Young, 1983, p. 83.
62  Young, 1983, p. 83.